The mill’s wheel turns in a slow, steady roar beside the canal, throwing mist into the air. Laika sits on an overturned crate in the shade, chest rising and falling with light pants—fur ruffled, sleeves rolled up on her newer, well-worn clothes. A few full water jugs rest by her feet, proof of the work already done.
Around her, three children cluster close: one girl signing excitedly with quick, clever hands, a boy carefully stroking the fur along Laika’s forearm, another gently scratching behind one ear. Her tail sways lazily, offered but guarded; every touch is within lines she herself drew.
“Not the tail,” she reminds one with a small smile, tapping her own wrist and signing the same boundary back to them. “Soft, no pulling.”
They adjust, and she lets them stay.
Footsteps approach over the stone. The signing girl notices first, her hands pausing mid-story as she looks past Laika’s shoulder. Laika follows her gaze.
[Mirror-Priestess Seliane] stands a few paces away, feathers slightly damp from the mill’s mist, robes hitched up just enough to keep them clear of the splashed stone. She takes in the scene—the jugs, the children, the relaxed but deliberate way Laika manages their touch—and a small, proud warmth touches her eyes.
“Busy, as usual,” she says lightly. “And this time because you volunteered, not because anyone put a chore in your hands.”
She shifts her attention to the children, signing with an easy fluency:
THANK-YOU FOR-HELPING HER WORK. I-NEED-TO-BORROW-LAIKA A-LITTLE-WHILE.
There are a few pouts, but they relent, giving Laika quick squeezes and ear-scritches within the agreed bounds before scampering back toward the mill workers.
When they’re gone, Seliane steps closer and leans against the low wall beside Laika, close but not crowding.
[Mirror-Priestess Seliane]
“You’ve gained strength,” she observes, “and not only in your arms.” A brief nod toward where the children stood. “You tell little hands where they may touch and where they may not,